08版 - 做宫灯的人

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写作是艺术也是门手艺,而手艺活要分两步:先塑形,后抛光。第一稿是塑形,把那一团模糊的想法,所谓灵感,捏出个大概模样。这时候你要像个陶匠,手上沾满泥巴,没关系,关键是让坯子成型,有模有样。第二稿才是抛光、打磨,这时候你是一个编辑,是雕刻家,是一个让人“讨厌”的挑剔的人,是一个指手画脚的人,但也是那个让作品发光的人。这个过程很煎熬,但成果喜人。我听一位刊物编辑说,作家索南才让的《荒原上》,前前后后修改了十稿,最终获得了鲁迅文学奖。当然不是说所有稿件修改十遍后就能拿奖,但若没有这一历程,作品恐怕不会有现在这样的成色。

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目前,阿宗正準備申請來台灣讀大學。在台期間,伯宗學會了中文,也存下一些積蓄。他說,讀大學是自己的夢想。「我們來台灣,有人幸運,有人不幸運。我可能還算是幸運的吧?」

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This fragmentation hurts portability. Code that performs well on one runtime may behave differently (or poorly) on another, even though it's using "standard" APIs. The complexity burden on runtime implementers is substantial, and the subtle behavioral differences create friction for developers trying to write cross-runtime code, particularly those maintaining frameworks that must be able to run efficiently across many runtime environments.。safew官方版本下载对此有专业解读

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